We crawled into an deserted faculty bus, trespassed by means of dilapidated hallways, dodged fleeting thunderstorms, and wandered the empty streets of Chinatown late into the night. For 2 summery weeks, I couldn’t have been happier.
New York Metropolis was in lockdown. I’d been quarantined in my dinky condominium, disheartened and stressed. I used to be anxious to do one thing artistic. Fortunately, the Hasselblad X1D II 50C arrived for evaluate, together with approval from the studio heads for socially-distanced, out of doors shoots.
Taking photos of the mundane (flowers, buildings, and such) would’ve been a disservice to a $10,000 digital camera package, so as an alternative, my pals and I collaborated on a enjoyable, little venture: we shot portraits impressed by our favourite movies.
Geared up with masks and a bottle of hand sanitizer, we put the X1D II 50C and 80mm F/1.9 lens (ideally suited for close-ups with out really having to be shut up) by means of its paces in a few of NYC’s much less acquainted backdrops.
Earlier than I get into any bother for the final picture – Alex and Jason are skilled stuntmen and that’s a rubber prop gun. They had been reenacting the penultimate scene from Infernal Affairs – a superb piece of Hong Kong cinema (significantly better than the Scorsese remake).
Whereas the digital camera is barely extra approachable when it comes to value and ease of use with a couple of upgrades (bigger, extra responsive rear display screen, a cleaned-up menu, tethering capabilities, sooner startup time and shutter launch), the X1D II is actually the identical as its predecessor. So I skipped the usual evaluate.
Picture Credit: Veanne Cao
What it’s, what it isn’t
The most typical grievance in regards to the X1D was its gradual autofocus, gradual shutter launch and quick battery life. The X1D II improved on these options, although not by a lot. Fairly than seeing the lag as a hindrance, I used to be compelled to decelerate and re-wire my mind for a extra considerate taking pictures type (a nice aspect impact).
As I discussed in my X1D evaluate, Apple and different smartphone producers have made taking pictures nice photos easy. As such, the accessibility has created a tradition of excessively capturing on a regular basis banalities. You shoot way over you’ll ever want. It’s one thing I’m responsible of. Fairly certain 90% of the photographs on my iPhone digital camera roll are throwaways. (The opposite 10% are of my canine and he’s spectacularly photogenic.)
The X1D II, nevertheless, isn’t a simple digital camera. It’s irritating at instances. Should you’re a newbie, you will have to be taught the basics (ISO, f-stops, when to click on the shutter), however the payoff is value it. There’s an amazing sense of gratification whenever you get that one shot. And at 50 megapixels, it’s filled with particulars and worthy of hanging in your wall. Shelling out a ton of cash for the X1D II received’t immediately make you a greater photographer, nevertheless it must encourage you to change into one.
With out the contrived studio lights and set design, our out of doors shoots grew to become an train in improvisation: we wandered by means of the boroughs discovering practicals (avenue lights, neon lights… the solar), discovering areas, and switching spots when issues didn’t pan out.
We explored, we had objective.
My takeaway from the 2 weeks with this digital camera: pause and be significant in your actions.
Reviewed package runs $10,595, pre-taxed:
Hasselblad X1D II 50C Mirrorless Digicam – $5,750
Hasselblad 80mm F/1.9 XCD Lens – $four,845